July 2023

Ilta Hämärä: Origo – LP
Bergpolder 09, Netherlands 2023 + insert
Regular edition of 250 copies
Special edition of 50 copies with hand coloured sleeve, signed and numbered

A1: Ilma
A2: Vesi
B1: Tuli
B2: Eetteri

Recorded and mixed at Kulta Saha by Timo van Luijk and Bart De Paepe, 2015-2016
Originally released on cassette in 2016
The track ‘Maa’ has been replaced by ‘Eetteri’ (previously unreleased).

June 2023

Open air live performance as inauguration of the installation “Between Heaven and Earth” designed by Limpe Fuchs. This permanent installation consists of 4 Pendulum Strings custom made by Bernward Munz and will be played by Limpe and Timo.
Thursday June 29, 15h00!
at Porta Vida, Welzijnscampus 11, 3600 Genk (Belgium)

May 2023

Two new releases soon available at the La Scie Dorée webshop:

NICOLE LACHARTRE: ‘Mundus’ – 3LP box

Metaphon 012, Belgium 2023
Hardboard linen LP box with silkscreened titles, 12 page booklet with text and track info by Vincent de Roguin and Mark Harwood, archive notes by Lachartre and a rare portrait from 1969.
Edition of 200 copies

Listen on Bandcamp
Available through the webshop


“Let’s try to find sound as a primordial act, both a place of convergence of beings and a vector of self-discovery”

First ever release of French composer, musicologist and writer Nicole Lachartre (1934-1991). This 3LP set comprises most of her electronic music and musique concrète compositions recorded in the 60’s and 70’s, all previously unreleased. Lachartre had a classical formation, studied with a.o. Darius Milhaud, Iannis Xenakis and Michel Philippot. Her broad formation and interest as well as her profound commitment and singular vision created a solitary voice even within the field of electronic music and musique concrète, strangely enough unheard till this day. Her first tape composition from 1968 was recorded in Pierre Henry’s Apsome studio and most of her other electronic and electro-acoustic compositions included in this box set were recorded at the IPEM in Ghent.

It took more than two years to realize this project with some complications along the way but it was all worth it and glad the music is finally available.

Production: Timo van Luijk
Mastering: EARLabs
Graphic Design: Meeuw


ARTHUR PETRONIO: ‘Arthur Petronio’ – LP

Metaphon 016, Belgium 2023
With fold-out poster and original sleeve design by Alain Geronnez
Edition of 500 copies

Listen on Bandcamp
Available through the webshop

Arthur Petronio:
Born Switzerland 1897.
French-Italian musician, poet and painter.
Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France.
Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe.
Played solo violin for Belgian King Leopold II, at the age of 9.
Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk.
Develops and presents his “Verbophonie” in 1919, integrating sound poetry into regular music scores.
Friend with Kandinsky, Mondrian, Cocteau and Picasso.
Published several avant-garde journals and poetry books with participation of like minded artists.
Wrote many scores for solo instruments, small ensembles, orchestral works, opera,…
Met Henri Chopin in 1950 and extended his musical ideas with new possibilities of tape composition.
His first and only LP, now reissued by Metaphon, was originally published by the Belgian Igloo label in 1979.
An extravagant DIY montage of musique concrète and sound poetry.
In addition to Petronio’s voice several female readers/performers contribute to this theatre of voices as guest vocalists.
An album as unusual as his lifecycle.

February 2023

Three new releases available at the La Scie Dorée webshop:


La Scie Dorée, Scie 3022, Belgium 2023
Edition of 500 copies with 8 page booklet

Thrilled to announce the reissue of Nikolaus Utermöhlen’s ‘Karlsbad’ album, originally released in 1989. Utermöhlen was a founding member of Die Tödliche Doris and this is his sole solo release. A collection of 23 witty oddball compositions for clarinet, accordion, percussion, recorder, violin, guitar, organ. It definitely has a Doris dose but even more so it shines for its totally singular mélange of tribal dada chamber folk, dilettante dissonant poetry, hard to compare with anything else. A slice of flamboyant wellness.  The recordings of this album were made for the ‘Georgette Meunier’ film by Tania Stöcklin and Cyrille Rey-Coquais.
Issued from the original master tapes and includes the 8 page booklet with engravings from the Karlsbad spa era.

Listen on Bandcamp


ELODIE: ‘Clarté Déserte’ – LP

La Scie Dorée, Scie 2922, Belgium 2023
Regular edition of 300 copies on black vinyl with offset printed sleeve.
Special edition of 100 copies on transparent vinyl with handmade Faraway Press sleeve + signed and numbered litho insert with original stamp.

New 10 track studio album by Andrew Chalk and Timo van Luijk, recorded 2020-2021 at Impression Lointaine and Kulta Saha.

regular edition
special edition
special edition insert

Forth unobserved I went
In darkness and security,
By the secret ladder, in disguise,
In secret, seen of none,
Oh night more lovely than the dawn!
Lost to all things and myself,
And, amid the lillies forgotten,
Threw all my cares away.

Listen on Bandcamp



La Scie Dorée, Scie 2822, Belgium 2023
Edition of 300 copies

Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt, Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Roguin put his heart in editing and mixing the recordings, extending the dimensions of exploration to the deep bottom of the lake.

Listen on Bandcamp


November 2022

Two new releases available at the La Scie Dorée webshop:


Metaphon 013 – 2022
CD with 8 page booklet in gatefold cardboard sleeve
Edition of 500 copies

1-Azabu I (1971/2021) 43:46
2-Azabu II (1971/2021) 32:07

Even though only being fully terminated 50 years after its conception, ‘Azabu’ can be regarded as the starting point of Michael Ranta’s creative self-discovery. The recordings that form the base of ‘Azabu’ were mostly made in the Tokyo district with the same name (Azabu-Juban). Next to abstracted field recordings ‘Azabu’ is also pervaded by a rich variety of percussion, string and wind instruments, all played by Ranta himself. Subsequently Ranta edited, layered and processed the recordings at the NHK electronic music studio in Tokyo. Both pieces display a vast array of acoustic, electronic and concrete sound events meticulously sequenced to a complex fusion symbolizing the entire spectrum of earthly and heavenly sounds. Dynamic extremes evoke a restless flight through space, or through the depths of human subconsciousness, between dream and reality. Ultimately the music disappears, like a dot in the sky gradually fading into nothingness – an “ascension” that closes the loop in a ritual of life that can begin anew again at any time.

Michael Ranta: composition, performance, mixing (1971)
Stefan Deistler: final mixing and mastering (2021)
Painting: Wayne Jacob
Text: Egbert Hiller
Production: Timo van Luijk
Design: Meeuw
Thanks to Vincent de Roguin


JACQUES BEKAERT: ‘Jacques Bekaert’ – LP

Metaphon 015 – 2022
Edition of 500 copies
Originally released in 1981 on the Belgian Igloo label this reissue comes with the same sleeve as originally designed by Alain Géronnez.

…Gentle threads of instrumental and electronic sounds are mixed with outdoor rural field recordings and occasional voices of his friends speaking, whistling or singing. Bekaert creates a warm environment within which we can hear subtle individual voices of good musicians who are relating to his loosely-notated scores and verbal instructions… (David Behrman)

A- A Late Lunch (28:10)
B1- A Summer Day at Stony Point (11:36)
B2- Mon Petit Album (11:06)

‘A Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtapositions of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene Tyranny.

 ‘A Summer Day at Stony Point’ was composed in 1969, with participation of David Behrman, Shigeko Kubota and Charlotte Warren. The piece was commissioned by English composer Hugh Davies who presented it at the Harrogate festival the same year. Stony Point is a small village in New York State where John Cage co-owned a small pseudo-commune art resort where like-minded artists gathered. ‘A Summer Day at Stony Point’ is nothing more than a page of a journal, a fragment of a notebook that utilizes a series of sound sources recorded at Stony Point on one beautiful day in the summer of 1968. Other electronic sound sources were recorded at the Brandeis University where Alvin Lucier was professor. The final realization of the piece was done at Henri Pousseur’s APELAC Studio in Brussels, 1969.

The soundtrack for Akiko Iimura’s ‘Mon Petit Album’was composed on the basis of a simple description of the technique of the film and its time span. It includes David Behrman on alto, from an outdoor recording at Stony Point, plus excerpts from a Transition concert in London, the band Bekaert formed in 1971 with Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers. The atmosphere is quiet and pastoral throughout with a very dreamlike flavour.

Jacques Bekaert (1940-2020) was a man of many gifts: author, journalist, composer, photographer, visual artist, wine connoisseur, radio talk show host, diplomat and expert in Southeast Asian affairs. His whole life Bekaert has been actively involved in music but not much of his work got recorded or published. In the early 60’s Bekaert studied with Pousseur and through his frequent visits to the US he became friends with artists like John Cage, David Tudor, Charlotte Moorman and most of all David Behrman with whom he had a close friendship ever since. Bekaert helped organize the first European tour of The Sonic Arts Union (David Behrman, Robert Ashley, Gordon Mumma, Alvin Lucier) and in the early 70’s he formed the group Transition (with Belgian jazz pianist Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers). His meeting with Japanese experimental film-maker Akiko Iimura resulted in two film soundtracks featured on this one of a kind discreet avant garde album.

When asked in a 1979 interview about his double life as a musician and a journalist, Bekaert replied, “I suppose they’re both unsafe, unstable, questioning jobs—composing and reporting. Journalism takes me to places, shows me the world as it is. My music is my wish for the kind of world I’d want to live in. The little peaceful state I dream for everyone, where you can be yourself, and happy, and as collective as possible without giving up total privacy.”

July 2022

Three new releases available at the La Scie Dorée webshop:

JOHANNES FRITSCH: ‘Kyo Mu / Hochtöner’ – LP

Metaphon 011 – 2022
Edition of 500 copies, gatefold sleeve

First LP release of Johannes Fritsch, long-time member of the Stockhausen Ensemble.

Kyo Mu (1982) – 30:20
For Shakuhachi and Tape
Johannes Fritsch: electronic and concrete sounds
Hitomi Endo: Shakuhachi
Weltmusik-Kongress, Vlotho 11.10.1982 – première recording

Hochtöner (1974) – 18:19
For Flute, Viola, Percussion, Synthesizer and Tape
Johannes Fritsch: Viola
Rolf Gehlhaar: Percussion
David Johnson: Flute, Synthesizer
Composed 1974, recorded 1975 at Feedback Studio Cologne

‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time.

…Listening to Kyo Mu for the first time had quite a physical impact.
It interrupted my breathing as this would disrupt the full listening experience and excitement. My heartbeat from the other hand was accelerating and seemingly getting in sync with the heartbeat sound throughout Kyo Mu. A staggering sensation…


Improvisation Sep. 1975′ – LP

Regular edition of 500 copies with offset printed sleeve and insert (English text sheet).
Special mailorder edition of 125 copies with mounted text on front and back (as the original 1975 LP), silkscreened by Alan Sherry. This edition includes two inserts, a Japanese text sheet and the English text, translated by Alan Cummings.

Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to arrange a studio session in the NHK Studio in Tokyo, with presence of sound engineers.
What was supposed to be a soundcheck for this session became the session itself: a haunting 50-minute séance of intense avant garde improvisation using a large instrumentation and live processing (tape echo, ring modulation, phasing). A trident travelogue of the momentum masterfully controlled by the ensemble spirit, transcending the boundaries of psychedelic underground.

Official reissue of this underground classic from 1975, originally released in a tiny edition on the small Japanese Iskra label.
As the original master tapes of these recordings seem to be lost, the master had to be taken from an unplayed original LP copy. It was carefully restored and mastered by Jos Smolders with amazing result.


ELODIE: ‘Enteha’ – LP

A Colourful Storm, ACS039, Australia 2022
With insert and postcard.

Enteha is one of the duo’s more subdued and melancholic pieces and can be seen as a human response to seasonal transition, foretold by the concluding passages of 2020’s Le Nid d’Ivoire. It’s one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. The delicate hues of autumnal haze. The deceptive optimism of morning light. A work of supremely understated beauty, Enteha develops at an hypnagogic, if not unconscious, level and will appeal to anyone who finds solace in Harmonia, Gas, Joanna Brouk, Roberto Musci, Zoviet France and other investigators of pastoral arcana. (ACS)

April 2022

JAN BRUYNDONCKX: ‘Rails and Other Tracks’ – LP
Pleased to offer this first ever release of concrete and electronic collage works by Belgian underground sound explorer Jan Bruyndonckx. ‘Rails and Other Tracks’ contains autonomous compositions, music for film and documentary, all independently recorded in his private studio between 1958 and 1965.
A small collection of adventurous and mysterious sound evocations with text/poetry (Paul De Vree) recited by Julien Schoenaerts.


AF URSIN: ‘Trois Mémoires Discrètes’ – LP
Reissue of long deleted LP from 2012, remastered at Kulta Saha 2021.
Three introspective instrumental compositions for English horn, flute, percussion, double bass, Hammond organ. Performed, recorded and mixed by Timo van Luijk during 2010-2012.