Timo van Luijk – Kris Vanderstraeten: High Noon – LP
La Scie Dorée, Scie 305, Belgium 2005
1st edition (2005) of 250 copies with silkscreened gold on white die-cut cover.
2nd edition (2010) of 200 copies with silkscreened green on white die-cut cover.
3rd edition (2019) of 70 copies, white water based ink silkscreened by Gerard Herman on thick brown board with die-cut centre hole, displayed above.
All editions on white vinyl.
Recorded at train station Zichem 1999 – 2003
Live home recording, without treatments or editing.
Sleeve design by Kris Vanderstraeten.
TIMO VAN LUIJK & KRIS VANDERSTRAETEN : High Noon
Following the ecstatically brilliant “Aura legato” album, Timeau de Liege frees himself from the Af Ursin one-man-quest and teams up with skin mangler and percussive magician Kris Vanderstraeten. Together they are responsible for creating another delicately crafted sound sculptures, filled with a controlled tension and carefully created improvisation balancing on the razor’s edge of fragility and virtuosity. Both of them steer away from easy-going right in your face slabs of free improv power but instead choose to operate on a totally different time frame. This enables them to raise the stakes and augment the challenge that lies buried within these sonic territories. Sonic-wise, if I have to hit you with a comparison, it leans close to early AMM well-balanced free form structures that reveal an almost autistic sense of beauty. An almost austere listening experience that once again proves that Timo and his La Scie Doree imprint are forces to watch out for. Just sheer brilliant. Comes is silk-screened jacket, limited edition of 350 copies and destined to dry up quickly. Just brilliant stuff.
(Johan Wellens, Tiliqua Records)
Latest release from Timo van Luyk (In Camera, Af Ursin et al) is another beautifully packaged blat of bewitching low-level drone/improvisation, this time in the company of long-term collaborator Kris Vanderstraeten. Mostly acoustic, with a heavy percussive element, High Noon touches on a similar kind of tactile low-level free interaction as practiced by Imai-era East Bionic Symphonia, walking the line between more established modes of improvised/psychedelic thought with a rigour and a commitment to the beauty of unadorned form that is truly uncommon. There are repeat-vocal sounds that resemble hypnotised ascetics floating high above the north pole, half-heard nursery rhyme melodies ala Af Ursin and the kind of complex timbral constructs that please the inner eye as much as the outer ear. Totally beautiful, edition of 250 copies on white vinyl with a silkscreened cover by Vanderstraeten and highly recommended.
(David Keenan, Volcanic Tongue)
Usually when I read the words ‘duo improvisations’ on the cover of a record, I run away. I’m not crazy, I realize that improvisation is present in all music. Composers don’t spit out symphonies without a lot of tinkering around. I don’t deny that improvisation is essential to all music, but I don’t like the term being bandied about as an idolization of a music’s Authenticity, nor do I like a mess. Thankfully, this LP has neither of those qualities. This music eschews the usual buildup and letdown of improvised music and instead builds a bunch of sonically interwoven events. There is a lot of percussion and small instruments as well as unidentifiable electronics that flit in and out. The result is good music, not a document of someone’s libidinal excesses. This is music made with care by people who want to make good music, not show off how ‘radical’ (they never are) they are. Very clever printed disco sleeve and label. And white vinyl! (Scott Foust, Swill Radio)
Timo Van Luijk (Timeau de Liège) et Kris Vanderstraeten pour une première collaboration marquée par des improvisations aériennes qui semblent dévier les lois de la gravité. Des moments étendus et libres de toutes formes où la percussion semble imiter des phénomènes naturels et le reste de la palette sonore (objets amplifiés) nous ouvre l’oreille sur l’inattendu. Très beau travail. Un vinyl blanc dans une couverture sérigraphiée et au second tirage de 200 copies. (Jerôme Noetinger, Metamkine)